Six quirky but doughty children fall into the way of a vast and dreadful supernatural evil that has entered our existence from the outer limits of darkness. They are compelled to wage a lifelong battle battling it, facing terror upon terror in the struggle.
This outlines the narrative, broadly speaking, of Stephen King’s iconic book It (a standout in his career; no arguments). It parallels of the celebrated author’s heir Joe Hill’s new chilling tome, in which six friends invoke the ancient, utterly malevolent serpent King Sorrow from the Endless Night to help them defeat some baddies. As one might expect, their supernatural ritual goes awry.
Joe Hill began his writing journey going to great lengths to remain separate from his famous father, publishing under the pen name he maintains to this day and eschewing in-person meetings with his agent (he bears a uncanny likeness to his dad). Yet with this recent release, he embraces it. There are lines that consciously reflect some of King’s most famous (that classic opening line); a incident that evokes a signature King element (a game of puzzles). In this epic story, the author rejoices in his heritage, and the audience revels alongside.
Back to those friends: most are students at the fictional Rackham College in the New England state. We have Arthur, academic and intelligent, deciphering Old English riddles in his spare time; the character Colin, affluent, clever, and known for crushing obstacles in his path; twins Donna and Donovan; the beautiful the lovely Allie. And there’s Gwen, who doesn’t study with them, but emerges as crucial of their circle as they toy, partly convinced, somewhat doubtful, in supernatural practices.
The protagonist finds himself, for reasons we don’t need to go into, obliged to take rare books from his beloved college library by a set of regional villains. This tears at his bookish heart, notably because he’s compelled to seize the institution’s prized and unsettling work: the diary of practitioner the historical figure (put to death “for conspiring with dark forces in 1703”; the binding is fashioned from his hide). The intrepid group read the journal, learn they can invoke what Crane describes as a armoured devil” to aid our hero with his coercion issue – and devote the remaining story enduring the repercussions. King Sorrow will undoubtedly remove those problematic neighborhood criminals, but they’ll have to choose a different victim every twelve months or fall prey to the beast. In the character’s own words: “You sow dragon’s teeth, all you get is additional horrors.”
Covering a generation, Joe Hill transitions with seamless grace between genres: as the friends attempt to deal with the predicament they find themselves in by, variously, selecting clearly malevolent individuals to offer up, or searching for methods to kill the dragon themselves, we go from thriller to shadowy tale, black-ops torture to affectionate subplot to horror. One particularly memorable shift was to a quest story, within the subterranean depths below Cornwall, a section infused with JRR Tolkien that was wonderfully frightening.
We encounter trolls – the classic variety and digital trolls, genuinely frightening and expertly realized. We see enchanted blades and deceptions, pulse-pounding sequences of valor and ones of appalling malevolence, both mortal and supernatural. This is a remarkable achievement: a horror novel that is above all a ode to the imagination, and to love and friendship. “We required a narrative to trust and {now we’ve got one|presently we possess it|currently we hold it,” says Colin as the friends gather at the table, making preparations to call forth their serpent into existence with the power of their thoughts.
In the author’s own words in his opening statement: “Here be dragons”. Don’t miss them.
Lena is a tech enthusiast and business strategist with a passion for digital innovation and entrepreneurship.